BADFISH (Ticketed Show) – May 13
2026-05-13 18:00 - 22:00 (America/New_York) | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
BADFISH – a Tribute to Sublime
The phenomenon known as Sublime, arguably the most energetic, original and uniquely eclectic band to emerge from any scene, anywhere, ended with the untimely death
of lead singer, guitarist and songwriter Brad Nowell in May of 1996. But encompassing the sense of place and purpose long associated with Sublime’s music, Badfish, a Tribute to Sublime continues to channel the spirit of Sublime with a fury not felt for some time. What separates Badfish from other tribute bands is that they have replicated Sublime’s essence, developing a scene and dedicated following most commonly reserved for label-
driven, mainstream acts. Badfish make their mark on the audience by playing with the spirit of Sublime. They perform not as Sublime would have, or did, but as Badfish does!
GRATEFUL DUB: a Reggae-infused tribute to the GRATEFUL DEAD – RoC (Roots of Creation) has taken on a unique new project: Grateful Dub: a Reggae-infused tribute to the Jerry Garcia & The Grateful Dead. Combining their longtime love for Reggae-Dub style music and the Grateful Dead, RoC reworked some of the world’s favorite Dead tunes into a new studio album. RoC had the pleasure of working in the studio with the legendary 5-time Grammy winner Errol Brown who was Bob Marley’s sound engineer for this project. Grateful Dub is also being performed live in its entirety at festivals, theatres, and clubs around the country, and features rotating live special guests that has included Melvin Seals (Jerry Garcia Band), Scott Guberman (Phil Lesh), Zach Nugent, RyMo, AG, & Paul W. (Slightly Stoopid), G. Love (G. Love & Special Sauce), Mihali (Twiddle), Dan Kelly (Fortunate Youth) and others. Grateful Dub captures the spirit and magic of the Grateful Dead, while laying it down Reggae-Dub style.
GRIEVES
Born in Chicago, Illinois, Benjamin Laub better know as Grieves was exposed to music at a young age by his father who would take him to Jazz and Blues clubs. After moving to Fort Collins, Colorado, Grieves began to explore the sounds of Punk Rock and Hip Hop. Completely immersed in the art-form, Grieves truly began honing his craft when he moved to seattle at 19. After self-releasing his debut album Irreversible in 2007, Grieves took that momentum out on the road developing an ever growing fan base from the west coast to the east coast.While in Seattle, Grieves would eventually hook up with a talented producer and multi-instrumentalist by the name of Budo. In 2008 the duo would hook up and create 15 tracks of sample-free, melody-driven, analog warmth titled 88 Keys & Counting. A combination of singing and rapping tethered together by guitar, horn, and keyboard driven instrumentals. Although ultimately an intense album, there are a few breaks with sounds like “Identity Cards” (featuring Luckyiam of Living Legends fame) and “Greedy Bitch”, a catchy break up song that will be stuck in your head for days after hearing it. Mainly a digital release, 88 Keys & Counting was welcomed with rave reviews of this new refreshing talent.Now residing in New York City, Grieves and Budo are hard at work finishing his 2010 Rhymesayers debut. So while the world has to wait a little longer for this masterpiece, Rhymesayers is proud to present 88 Keys & Counting,
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Protoje (Ticketed Show) – May 20
2026-05-20 18:00 - 22:00 UTC
Protoje is the name that reverberates at the core of Jamaica’s musical renaissance. A visionary and an architect of sound, Protoje has redefined what it means to be a modern artist, blending the rich heritage of reggae with the fresh influence of hip-hop, soul, and jazz. From his roots in Saint Elizabeth, Jamaica, Protoje’s journey is one marked by passion, purpose, and an unwavering commitment to his craft. In 2014, with his iconic track “Who Knows” ft. Chronixx, Protoje became a prominent figure of the “reggae revival” movement. But it didn’t stop there—his journey took him to uncharted territory, collaborating with global superstars like Jorja Smith, Alicia Keys, Pa Salieu, Wiz Khalifa and many more. His track“Switch It Up” ft. Koffee made its way into Barack Obama’s 2021 Summer Playlist, a testament to Protoje’s cross-generational appeal and cultural resonance. But Protoje’s influence extends beyond just his music. He’s the founder of In.Digg.Nation Collective, a platform built to uplift the next wave of Jamaican talent, which nurtured artists like Sevana, Lila Iké, and Jaz Elise. His catalog of albums—each one a reflection of the time—shows his ability to evolve and push the boundaries of what reggae can be. In November 2023, he reimagined his 2020 album In Search of Lost Time with the audacious In Search of Zion, a deep dive into the experimental realms of dub, showcasing his fearless exploration of sound. With two Grammy nominations for Best Reggae Album, for A Matter of Time(2018) and Third Time’s The Charm (2022), Protoje’s name is etched alongside the greats. From Rolling Stone to Vogue, from The Tonight Show Starring Jimmy Fallon to NPR’s Tiny Desk Concert, Protoje’s reach is vast, transcending borders and genres, leaving an indelible mark on the global stage. His performances at Coachella, Glastonbury, andLollapaloozahave solidified him as one of the most dynamic forces in modern music. Protoje is more than an artist; he is a cultural catalyst who’s redefined what it means to be a Jamaican musician in the 21st century. Uncompromising, boundary-pushing, and constantly evolving—Protoje is not just part of the conversation; he is creating it.

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Tell Me Lies (Ticketed) – May 31
2026-05-31 18:00 - 22:00 (America/New_York)
TELL ME LIES TRIBUTE
Tell Me Lies showcases the timeless hits of Fleetwood Mac, a band renowned for their exceptional song writing and energetic live performances. The accomplished members of Tell Me Lies have been creating music together in various styles and combinations for many years. It was only natural for them to unite and honor the unmatched legacy of Fleetwood Mac. With an unwavering commitment to authenticity and a deep respect for their craft, Tell Me Lies meticulously recreates the beloved sounds and visuals of one of the world’s most adored best-selling bands.
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KBONG & JOHNNY COSMIC – JUNE 14
2026-06-14 18:30 - 22:00 (America/New_York)
KBONG
Kevin Bong, aka ‘KBONG’ is a multi- instrumental artist who is well known for his key role in reggae band Stick Figure.
Touring with the group since 2012, KBong has solidified his place as one of the top keyboard players in today’s current Reggae scene. On August 24 2018 KBong released his second studio album ‘Easy To Love You,’ produced by Johnny Cosmic and featuring Scott Woodruff (Stick Figure), The Movement, Raging Fyah, and the aforementioned Cosmic.
Bong’s easy going approach to music shows itself in the project. As Bong says, “Music is an expression of ourselves; it’s an art form. Whether you’re playing for one person or a thousand, music soothes the soul.”
JOHNNY COSMIC
Johnny Cosmic is a producer, artist, multi-instrumentalist, songwriter, performer and contributor to a Grammy Award winning album based out of Oakland’s Great Stone Studios, former home of Green Day. Cosmic rose to prominence in his role working with Stick Figure on production and performing in the live band, for which he is still a member. He also has a burgeoning solo career, including racking up millions of streams for his singles Kingdom ft. The Movement, and Sun and the Moon ft. Collie Buddz.

Turnover (Ticketed) – June 16 & 17
2026-06-16 18:00 - 2026-06-17 22:00 (America/New_York)
TURNOVER
The title track of the band’s new album, Myself in the Way, speaks to this mindset. “I can’t put myself in the way of love again,” sings Getz, “I promise I’m going to go all the way with you,” is specifically about Getz getting engaged to his longtime partner, but applies to the general outlook he had toward life in lockdown. “I was living in Sebastopol, California at the time and felt like I truly lived there for the first time since I wasn’t leaving for tour. I was able to go meditate at the Zen Buddhist dojo down the road, run and bike around the hills in Sonoma county, learn about plants and gardening, take some Spanish and arboriculture classes, and get involved with the volunteer fire department. Just do a bunch of new things to challenge and inspire me in a natural way.” Turnover’s other members also used the time to deepen interests they hadn’t been able to fully explore before covid. Bass player Dan Dempsey was in New York City and responded to lockdown by spending more time practicing his visual art in drawing and painting. He painted the album’s cover during this period and developed a style that has become a central theme for the band in its current iteration. Drummer Casey Getz found work at a Virginia Beach state park as touring continued to be postponed. He was in search of and inspired by having a work-life balance different than he’d experienced since he was younger. Through this, he was able to nurture current relationships more and find new ones, something touring made much more difficult. This led to Casey playing drums with a group of longtime friends in Virginia Beach and further developing his drumming style – adding a new prowess for fluidity and improvisation through lengthy jam sessions with the group. Guitarist Nick Rayfield was focused on sharpening his guitar and piano playing and was able to devote energy to skateboarding and his retail business more than he had been able to for the last few years. This was also the band’s first album with Rayfield making songwriting contributions after touring with them for years as a live member, adding a new creative element to the songs. Over 18 months Turnover weaved these individual experiences into a collective work, recording the LP over two sessions with longtime collaborator Will Yip at Studio 4. Austin is credited, for the first time, as co-producer. “I had specific ideas for sound design on this album. I knew a lot of sounds I wanted to hear and use. We wanted everything to be able to be heard and have its own place. I was inspired by the way Magical Mystery Tour and Dark Side of the Moon sounded. We decided to go a lot wider with it and utilize panning and stereo more than we had in the past, while also wanting it to sound tighter and smaller than some of our earlier records. We were inspired by drum and bass sounds from Chic and Quincy Jones records from the 70s, so we put the drums in the control room to get them to sound smaller. We used an active pickup bass and a jazz bass to get that percussive sound from the bass so the low end wasn’t as rumbling and subby. We let the synths share some of that low end that the drums and bass gave up. Quincy’s approach to arrangements were a huge inspiration in this record as well. The horn and string lines I wanted to sound like classic era disco, mixed with modern synth and vocal sounds. I had been experimenting with my own vocal styles a lot and utilized autotune and vocoder on this album almost as instruments on certain songs as a stylistic choice.” The band has always been DIY, but post pandemic they have taken that to a different level. They appreciate more than ever how lucky they are to get to be together and have fun creating things with their friends. They have found that they are usually best suited for executing their own vision, not only musically, but with all its accompaniments as well. For this album they made all their own videos in collaboration with friends and using Dempsey’s drawings and paintings. Change is authentic and true to Turnover as a band and as individuals. Chart a course through their discography and find a band continually reinventing themselves with a unique artistic ambition. Myself In The Way arrives finding Turnover doing the same within their own persons, pushing the band into new and exciting parallel depths of expression.
NARROW HEAD
Truly great pop songs do not require a cheery outlook in order to work, nor do they pander to expectations of syrupy sweet easy-listening. Rather, the best pop music is a matter of refinement and pure intention, of dialing groove to melody so that the two might puncture the malaise of everyday living in unison, revealing some brief, sober truth about our shared human condition. On their third LP, Moments of Clarity (Run for Cover), Narrow Head have achieved precisely this feat. Traversing the depths of massive, churning riffs, often distorted to the point of violence, bouncing, lock-grooved rhythms, and crystalline, gorgeously constructed hooks, the Houston-based outfit puts on a masterclass in the art of writing songs that match the pain, pleasure, and confusion of modern living. Each track is sentimental without being precious, heavy without unnecessary griminess, pop-forward without letting the listener off the hook easy: these songs ask for some form of hurt or desire to be paid back to them in return, some promise that the listener is putting equal skin into the game.
SHE’S GREEN
Minneapolis band she’s green describe themselves as “moss music”. Inspired as much by J.R.R. Tolkien and Hayao Miyazaki as by Slowdive and the Cocteau Twins, the band — consisting of Liam Armstrong, Zofia Smith, Raines Lucas, Kevin Seebeck and Teddy Nordvold — aim to create their own musical and visual world defined by dreamy fantasy, emotional openness and sonic depth. In 2023 she’s green released their debut EP, Wisteria, which included the viral hit “Mandy,” and in 2025 they released the follow-up EP, Chrysalis. It builds on the shimmering shoegaze and dream-pop of Wisteria, with ever more irresistible melodies and deeper songcraft. “We wanted to expand the scope of what we did with the first EP, and see how far we could push either side of the music — whether it’s harsh and jarring or it’s inviting and warm,” Armstrong says. And as they win over fans everywhere they go with their authentic, loving approach to their sound, it’s clear that this huge year for she’s green is only the beginning.
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Twin Fin (Ticketed) – July 26
2026-07-26 18:00 - 22:00 (America/New_York)
Twin Fin is a rock band based out of Honolulu, Hawaiʻi. The group initially bonded over their shared love of surfing and music. Twin Fin started by playing in living rooms and backyards around the island of O’ahu and quickly graduated to playing sold out venues of more than 750 people. Their music is described as catchy surf rock with a healthy sprinkle of country and reggae. After their first tour in 2025, Twin Fin signed with Feel Good Media, a Los Angeles-based management agency.

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