Colonial Quarter

Dave Matthews Tribute Band (TICKETED) – October 15
2025-10-15 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
For over 20 years, the Dave Matthews Tribute Band has been performing sold out shows around the world; playing over 2,000 concerts in 46 states and 9 countries. Throughout the years, the band has evolved from a bar hopping cover band into a dedicated and true tribute band with one goal; to recreate the classic Dave Matthews Band sound so many of us know and love.

TICKETS AND MORE INFO HERE!

Polyrhythmics (Ticketed Show) – October 16
2025-10-16 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
POLYRHYTHMICS “LIFE FROM BELOW” live at the Colonial Oak Music Park on October 16

Get your tickets and more info here!

Halfway to SweetWater Music Festival – October 17-19
2025-10-17 16:00 - 2025-10-19 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Full festival line up & details here!

Iam Tongi – October 22 (Ticketed Show)
2025-10-22 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
You can hear it in the gentle rasp of his wave-washed vocal soul. You can see it in his smile. For Iam Tongi, music is not just about fun – although it definitely is that. It’s about transformation.A Hawaiian-born singer-songwriter and the Season 21 champion of American Idol, the 20-year-old Tongi first saw music transform his family, then his sense of purpose … and then every aspect of his life. And now, as he steps forward with the wind firmly at his back, another transformation begins. Marked by growth, gratitude, and feel-good island wisdom, the rising star looks to the horizon. “I know I’m supposed to be doing this, and sometimes that’s all I know,” the inspiring young talent says. “This is what I was meant for.” That clarity came early for the emerging star. First picking up a ukulele in the fifth grade, Tongi grew up in a deeply musical world filled with community gatherings, each one marked by the traditional singing and dance of Pacific Island cultures. Living in the small town of Kahuku on the northern tip of Oahu – far removed from the tourists on the opposite side of the island – he still has vivid memories of his father and grandfather, singing together in quiet harmony as they sat on the family’s front porch. Both hard-working, blue-collar stoics, they rarely even spoke – letting music do the talking instead. “Everyone knew music and music was life – it’s about just having fun,” Tongi explains. “Everyone knew how, except for me. And I remember I always felt kind of left out.” That changed when Tongi began singing, too, looking for a way to get closer to his dad. Although his father’s regular workday was 16 hours long, he’d still rush home to sing with Tongi, teaching his son what he knew and hammering home the idea that music was Tongi’s path to a better life. Clearly blessed with an expressive, charismatic voice, Tongi was pushed hard and immersed in the multi-faceted skills of island reggae – plus a family record collection that featured country (Kenny Rogers), classic rock (Dr. Hook), and R&B (Luther Vandross). By 13 Tongi had played his first show, singing Tongan classics and his dad’s favorite Dr. Hook song (“Sylvia’s Mother”) at a North Shore fair. With his fluid style, warm vocal rasp and beaming optimism, Tongi easily cut through the din of the inattentive crowd, earning his first taste of the rush live performance offered. But when the family moved to Seattle, music truly became a lifeline. Dropped into a culture he’d only seen on TV, the tender-hearted Tongi was slow to make friends, and found solace in music instead. Writing songs as an outlet and comfort, he also began singing even more – partly because his dad had suffered two strokes and a heart attack, meaning he could no longer work. The pair practiced twice as hard as before, and often livestreamed their duets on Facebook for hundreds of viewers. It was a reminder of home for them both. “I really missed home. And what made me feel like I was home again, was Hawaiian music,” Tongi says. “I never really fit in at school, so I leaned on my music even more. I wrote all the time.” In a devastating blow, Tongi’s father passed away from kidney failure in December 2021 – but not before encouraging his son to keep singing, one last time. Even so, Tongi couldn’t bring himself to do it. Music brought back painful memories, and without his dad, Tongi began to wonder if he had ever loved music at all. The crestfallen teen put his guitar away, and tried to forget. It was his mother who knew better. Secretly signing her son up for American Idol – a dream her late husband had long pushed for – she surprised Tongi with the news just two days before his audition. In one of Idol’s all-time emotional highlights, that moving performance of James Blunt’s “Monsters” immediately went viral, and by the end of Season 21, Tongi had made history as the first Pacific Islander to ever win the show. As he told the world, he did it to honor his father. … But ultimately, the win helped Tongi learn to believe in himself – inspiring millions in the process. The following year presented more challenge. Despite a thriving fanbase that supports millions of global on-demand streams and social media followers, the constant travel of nationwide concert tours and long separation from family led Tongi to wrestle with his new reality, and struggle to speak his creative truth. But a new day dawns. Finding a trusted collaborator and mentor in acclaimed songwriter/producer Johnny Reid, the pair’s instant connection has rekindled Tongi’s creative drive. And after rebuilding the gifted talent’s confidence, dozens of songs have been written for Tongi’s next chapter, each one combining his skill and background in way that is true to himself. “Now, I’m doing what I love,” the rising star says. “I want it to be a fun.”That quest began with “Road to Hana,” a bouncing, windows-down mix of upbeat island reggae and country heart, with a colorful vocal to match. A tribute to Hawaii with a clever romantic twist, Tongi co-wrote the track with Reid and Roy Morgan, and it marks the first taste of a trove of new material. Leaning into Tongi’s cultural heritage and musical roots – but also the man he’s become – breezy beach balladry and sunshine country stand alongside laid-back soul, gospel, and more, as the young artist celebrates the ever-changing magic of music, and life itself. He’s seen the transformation happen (more than once), and through it all, one lesson remains constant: To live each moment for all it’s worth.“I want people to not take things for granted,” Tongi explains. “Don’t wait until you lose someone to look at it like that. Don’t wait until it’s too late, and always stay positive.“It’s actually a really hard thing to do, and this world is already messed up,” he goes on. “What I want people to take from my music is just positivity.”

Wheeland Brothers w/ Seranation (Ticketed Show) – October 29
2025-10-29 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
The Wheeland Brothers are two Southern California surfers who grew up where the concrete meets the sand. Their playful pursuit of life invites listeners to join in on the stoke, all the while blending infectious good-time-energy with peaceful introspection. The band has performed with peers ranging from 311 and Slightly Stoopid to Donavon Frankenreiter and Michael Franti. They’ve also performed at Meeting Of The Minds, Tortuga Music Festival, Kaaboo Del Mar, and were personally picked by Kenny Chesney to play the Nashville kick off to his 2022 summer tour. As a headliner, they pack out venues from Coach House in SoCal to Guanabanas in Florida and Big Chill Beach Club in Delaware.

Get Full details and tickets here!

KISS Alive The Tribute (Ticketed) – November 2
2025-11-02 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Almost 16 years ago, what began as 4 fans wanting to cover KIϟϟ tunes for Florida fans has evolved into one of the country’s premier KIϟϟ tribute acts. Comprised of 4 seasoned musicians, KIϟϟ ALIVE the tribute, has had the honor of being a top finalist for a worldwide KIϟϟ tribute contest, being invited to audition for NBC’s America’s Got Talent, gracing several pages of the July 2014 GOLF DIGEST magazine, and entertaining thousands upon thousands of KIϟϟ fans throughout the United States. We were the winner of the 2020 South Florida Fair Tribute band contest and even more recently, the band was chosen as contestants for the 2021 TV show, CLASH of The TRIBUTES. Slated for at least 3 seasons (we are in season 1), it’s a national “American Idol” type show. Alex Lords as The Demon, Erik Winger as The Catman, James Cullen as The SpaceAce and John Carlazzo as The Starchild all have decades of stage experience to deliver the absolute best show possible sure to please any level of KIϟϟ fan. From the music to the costumes to the fire-breathing and blood-spitting and complete over-the-topness of the show, including newly added production, KIϟϟ ALIVE the Tribute brings excitement, passion and commitment to each and every performance.

TICKETS & MORE INFO HERE

Shwayze (Ticketed Show)- November 5
2025-11-05 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Raised on the beaches of Southern California, Aaron Smith is a rapper, actor, musician, and father who became known to the world simply as Shwayze following a massive music breakout in 2008.‍The Malibu native released his debut album Buzzin’ that summer with singer-producer Cisco Adler. The duo hit the road immediately on the Vans Warped Tour wearing skinny jeans, and singing about lost weekends in Hollywood, all while bringing the most legendary parties with them wherever they went.Shwayze has since gone on to work with an array of producers and release several independent albums such as Shwayze Summer on his self-funded Feel Good Entertainment Music label. He continues reinventing his sound while staying true to the influences that brought him where he is today.

Tickets and more info here!

New Master Sounds (Ticketed Show) – November 7
2025-11-07 18:00 - 22:00 UTC
The New Mastersounds have been delighting audiences with their infectious brand of funky soul-jazz since they formed in Leeds, England in 1999. For the first five years of the band’s career they were regulars at the Jazz Café in London, before they began to turn heads on the funk scene in the US, where guitarist/producer/bandleader Eddie Roberts now lives. For over a decade they have been a staple act of the late-night scene during New Orleans’ annual Jazz Fest. Always happy to hit the studio between tours, this veteran band now boasts a rich recorded catalogue that includes fifteen original studio albums, four live albums, several compilations, and a remix album. Though they have collaborated over the years with such musical luminaries as Maceo Parker, Fred Wesley, Corinne Bailey Rae, Art Neville, Bernard Purdie and Lou Donaldson, they are at their best on stage as a tightly-packed quartet – bass, drums, guitar and keyboards – firing off scorching grooves and feeding on the energy of the dancers in the front row.​​​​

LINK TO TICKETS & MORE INFO

Satsang (Ticketed Show) – November 12
2025-11-12 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Satsang is a dynamic musical ensemble that weaves together elements of folk, soul, and conscious lyrics to create a captivating sonic experience. Comprised of talented musicians and led by frontman Drew McManus, Satsang embodies the spirit of connectivity, spirituality, and social awareness through their music.
Drawing inspiration from a diverse array of musical traditions, Satsang’s sound is characterized by rich harmonies, infectious rhythms, and thought-provoking lyrics that resonate with audiences across the globe. With roots in the mountains of Montana, the band’s music reflects the natural beauty and spiritual depth of their surroundings, while also addressing contemporary issues and themes.
At the heart of Satsang’s music is a message of unity, compassion, and mindfulness. Through their uplifting melodies and introspective lyrics, the band encourages listeners to reflect on their own experiences, cultivate empathy for others, and embrace the interconnectedness of all beings.
With a reputation for captivating live performances and a dedicated fan base, Satsang continues to inspire audiences with their soul-stirring music and heartfelt lyrics. Whether performing at intimate venues or large festivals, the band’s infectious energy and profound message leave a lasting impression on all who hear them.
In a world that often feels divided, Satsang offers a beacon of hope and positivity through their music, reminding us all of the transformative power of community, love, and consciousness.
Use the share tools on this event page to let your friends know where you will be. Please Print a PDF ticket for entry into the event, or your phone or email can also work. No Refund Event. Rain or Shine Event.
6-10 PM

Tickets and more info here!

Surfer Girl (SOLD OUT) – November 16
2025-11-16 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Surfer Girl returns to the Oak on Sunday, November 16th!
SURFER GIRL
Surfer Girl – led by the dynamic Carter Reeves, former frontman of the acclaimed hip-hop/pop group Aer – continues to evolve and captivate audiences with their distinct blend of indie-pop, reggae, surf-rock, and hip-hop. Hailing from Wayland, MA, Carter’s laid-back coastal vibes are ever-present in the band’s sound, which effortlessly blends sun-soaked melodies with infectious rhythms that evoke the feeling of a carefree summer afternoon. With the release of their highly anticipated new album Sunset in April 2025, Surfer Girl takes their sound to new heights. The album features collaborations with an exciting lineup of artists, including Bryce Vine, Collie Buddz, Jah Lil, Emily Brimlow, and more. From breezy anthems to introspective tracks, Sunset captures the essence of summer, love, and living in the moment. Surfer Girl’s magnetic live performances continue to make waves on major festival stages. In 2025, they’re bringing their high-energy, feel-good vibes to Vans Warped Tour in Orlando, following their memorable appearances at Sea.Hear.Now, SunFest, Cali Vibes, and Reggae Rise Up. Known for his powerful stage presence, Carter Reeves and the band create a live show that’s both nostalgic and refreshing, sweeping audiences away with every note. As a seasoned performer, Carter Reeves and Surfer Girl bring a perfect blend of musical mastery and laid-back beach culture to every stage they grace – making each performance an unforgettable experience.
TESSELLATED
With Jamaican influence on international music inescapable in the current era, a new wave of exciting artists is emerging from the Caribbean island. One artist leading the charge for this global assault on the music industry is Tessellated, a multi-talented 24 year old Grammy & Emmy artiste/producer from Kingston who burst onto the scene in 2017 with his bona fide Caribbean hit collaboration – Pine & Ginger. Citing influences from many genres, a unique blend of styles and sounds shapes the backdrop for Tessellated’s musical endeavour. Through this, he aims to push forward a fusion of Jamaica’s roots presented alongside other world genres. With this original style, Tessellated has now carved out a lane of his own already garnering support from music industry heavyweights such as Camila Cabello, Lily Allen, Shaggy, Diplo, Major Lazer, Jorja Smith, Dua Lipa and more.
Tickets & more info HERE!

Surfer Girl (NIGHT 2) – November 17
2025-11-17 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Night 2 of Surfer Girl at the Oak!!!
SURFER GIRL
Surfer Girl – led by the dynamic Carter Reeves, former frontman of the acclaimed hip-hop/pop group Aer – continues to evolve and captivate audiences with their distinct blend of indie-pop, reggae, surf-rock, and hip-hop. Hailing from Wayland, MA, Carter’s laid-back coastal vibes are ever-present in the band’s sound, which effortlessly blends sun-soaked melodies with infectious rhythms that evoke the feeling of a carefree summer afternoon. With the release of their highly anticipated new album Sunset in April 2025, Surfer Girl takes their sound to new heights. The album features collaborations with an exciting lineup of artists, including Bryce Vine, Collie Buddz, Jah Lil, Emily Brimlow, and more. From breezy anthems to introspective tracks, Sunset captures the essence of summer, love, and living in the moment. Surfer Girl’s magnetic live performances continue to make waves on major festival stages. In 2025, they’re bringing their high-energy, feel-good vibes to Vans Warped Tour in Orlando, following their memorable appearances at Sea.Hear.Now, SunFest, Cali Vibes, and Reggae Rise Up. Known for his powerful stage presence, Carter Reeves and the band create a live show that’s both nostalgic and refreshing, sweeping audiences away with every note. As a seasoned performer, Carter Reeves and Surfer Girl bring a perfect blend of musical mastery and laid-back beach culture to every stage they grace – making each performance an unforgettable experience.
TESSELLATED
With Jamaican influence on international music inescapable in the current era, a new wave of exciting artists is emerging from the Caribbean island. One artist leading the charge for this global assault on the music industry is Tessellated, a multi-talented 24 year old Grammy & Emmy artiste/producer from Kingston who burst onto the scene in 2017 with his bona fide Caribbean hit collaboration – Pine & Ginger. Citing influences from many genres, a unique blend of styles and sounds shapes the backdrop for Tessellated’s musical endeavour. Through this, he aims to push forward a fusion of Jamaica’s roots presented alongside other world genres. With this original style, Tessellated has now carved out a lane of his own already garnering support from music industry heavyweights such as Camila Cabello, Lily Allen, Shaggy, Diplo, Major Lazer, Jorja Smith, Dua Lipa and more.
Tickets & more info HERE!

Badfish Tribute to Sublime – November 19
2025-11-19 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Badfish a Tribute to Sublime “Orange you Glad to See Us Tour” w/ Joe Samba!
Full event details here!

Creed Fisher (Ticketed Show) – November 23
2025-11-23 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
CREED FISHER “BETWEEN HEAVEN & HELL TOUR” live in ST AUGUSTINE

Toubab Krewe (Ticketed) – December 3
2025-12-03 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Some music cannot be found on a map or within iTunes categories. Some music is so original it seems snatched from the great, invisible substrata that runs below all human activity, a sound aching to be born without a flag or fixed allegiance – free, questing, overflowing with immediate, tangible life. This is the music of Toubab Krewe, the vibrant Asheville, NC-based instrumental powerhouse that creates a sonic Pangaea that lustily swirls together rock, African traditions, jam sensibilities, international folk strains and more. While nearly impossible to put into any box, it takes only a few moments to realize in a very palpable way that one is face-to-face with a true original who recognizes no borders in a march towards a muscular, original, globally switched-on sound. Formed in 2005, Toubab Krewe has tenaciously honed their craft through relentless touring and a fierce dedication to carving out something they can truly call their own. The fruits of this hard work can be heard on their latest release, STYLO, (March 2nd, 2018). What Justin Perkins (kora, kamelngoni, guitar, percussion), Terrence Houston (drumset), Drew Heller (guitar, organ), Justin Kimmel (bass, keys), and Luke Quaranta (djembe, dunun, sangban, kenkeni, kryn, karenye) have wrought on STYLO reflects the many miles and musical journeys that have transpired since their last studio album, TK2. This is a band that actively draws inspiration from whatever source floats into their purview, something they’ve exhibited in their decade and a half of heavy gigging, including regular appearances at major U.S. festivals like Bonnaroo, High Sierra, Electric Forest, Wakarusa, Hulaween, and abroad at such legendary gatherings as the Festival In The Desert in Essakane, Mali, Shanghai World Music Festival, and Jam Cruise. Whether on their own or collaborating with luminaries like the Last Poets’ Umar Bin Hassan, Uncle Earl’s Rayna Gellert, or Weedie Braimah, Toubab Krewe has already earned the attention and respect of a broad musical community. Toubab carries echoes of African greats like Ali Farka Toure, Orchestra Baobab and Salif Keita, no doubt picked up during the group’s travels to study and live in Guinea, Ivory Coast and Mali. But what truly differentiates Toubab Krewe from other Statesiders inspired by African music is how they innovate on what they’ve learned instead of simply recreating tradition. Toubab Krewe carves out a new trail honoring the African originators they admire by making something alive and contemporary.

Andy Frasco – December 7
2025-12-07 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
ANDY FRASCO & THE U.N. have long been the high-flying DIY renegades of the touring scene known and loved for their kaleidoscopic musical fusion and one-of-a-kind onstage audacity. Now celebrating their longevity, the band is shaking things up with L’Optimist (Fun Machine Records/Soundly), as its title suggests, Frasco’s most hopeful and enthusiastic collection thus far. A testament to Frasco’s wide-ranging influences and boundless energy, his band’s sixth released studio album sees the magnetic frontman continuing to chart his path of self-exploration and personal discovery through increasingly introspective lyricism and musical adventure. Songs like “Everything Bagel (Feat. Artikal Sound System)” and the deeply moving “Iowa Moon” touch on matters of the heart and mental health, emotional struggle and the sheer vulnerability of the human experience, all relayed through a wildly eclectic approach navigating funk, jazz, surf rock, blues, swing, gospel, reggae, exotica, and more with horn-blasted positivity and soulful power.“I fight depression every single day,” Frasco says, “and the only way to fight depression is through optimism. I try to write optimistic songs because optimism keeps me going. As humans, I don’t think we’re all that much different. Everyone needs a little optimism to keep going.” Having spent the first part of his career making his bones as a fun-loving frontman with a self-proclaimed “gift of gab,” Frasco pushed his songwriting in more personal directions with 2020’s Keep On Keepin’ On and 2022’s Wash, Rinse, Repeat.

Coyote Island (Ticketed) – December 10
2025-12-10 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Equilibrium depends on music. Body, mind, and soul move in a perfect harmony together. Synapses fire and hearts thump in time like a drumbeat. In this respect, the right tune sung at the right moment works like the best kind of natural medicine. Maine-based singer, songwriter, producer, and multi-instrumentalist Coyote Island—a.k.a. Mike O’Hehir—recognizes and reveres the restorative potential of songcraft. Mixing folk, reggae, pop, world, cumbia, and psychedelia, he stirs up a sonic elixir meant to invigorate and inspire.

Ticket and more information here!

Ax & the Hatchetmen (Ticketed Show) – December 11
2025-12-11 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
AX AND THE HATCHETMEN are a 6 piece indie rock band led by Axel Ellis. The Chicago based band’s shimmering two guitar attack, earthy rhythms and blistering horns have gained them a loyal following nationwide. Formed in 2018, the camaraderie and musicality between the long-time group of friends is apparent the moment they take the stage. They plan on touring and releasing music for the foreseeable future. They also will party.

JOHN-ROBERT
John-Robert has been a notable performer since he was a child, it is simply what he was born to do. At only 13 years old, John-Robert was handpicked to perform on the Ellen show as a musical child prodigy. At 19, he left his hometown Edinburg, VA (pop. 1,070) in 2019 to move to LA and start his music career, bypassing a scholarship to Berklee. He was signed to Nice Life/ Warner by Grammy-nominated producer Ricky Reed (Leon Bridges, Lizzo) and released a handful of singles and EPs over a few years, earning him co-signs from artists Alessia Cara and Camilla Cabello. But it was a live fireside performance of his 2023 song “Come Pick Me Up” that catapulted John-Robert’s lilting blend of traditional folk and Appalachian country into the modern pop landscape. He toured extensively in 2023 and 2024 in the US and abroad supporting artists like Madi Diaz, Rayland Baxter, Leon Bridges and even Liam Gallagher. Virginia, and his family there, has always been a source of inspiration for the singer-songwriter. On making his 2023 EP Garden Snake he says, “It was like trying to make a Virginia record in LA.” A move back home to Virginia in early 2025 made perfect sense as he embarked on creating a new body of work. The move was a way to pull himself out of the professional and personal turmoil of LA, and reconnect with the people and places that made him who he is today – the banks of the North Fork Shenandoah River and rolling hillsides, the home-cooked meals and close-knit community. Expect more music and live shows from John-Robert throughout 2025 and beyond.

The Casualties – December 14
2025-12-14 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Formed in New York City in 1990, The Casualties are a cornerstone of the modern street punk movement. Known for their explosive live shows, high-energy sound, and fierce dedication to punk’s raw roots, the band has spent over three decades carrying the torch of anti-establishment rebellion and working-class unity. Drawing inspiration from classic UK punk like The Exploited and Discharge, The Casualties blend aggressive riffs, shouted choruses, and politically charged lyrics into a relentless sonic assault. Their discography includes landmark releases such as For the Punx, Die Hards, On the Front Line, and Chaos Sound, each solidifying their status as global ambassadors of hardcore street punk. Following the retirement of founding frontman Jorge Herrera in 2017, David Rodriguez (Krum Bums, Starving Wolves) stepped in as lead vocalist, ushering in a new era without compromising the band’s fierce identity. With over 30 years of relentless touring, international acclaim, and uncompromising music, The Casualties remain one of punk’s most enduring and vital forces.
Tickets and more info here!

Supervillains – January 7
2026-01-07 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
The Supervillains are a high-energy ska and reggae band hailing from Florida, known for their infectious grooves and lively performances. Formed in the late 1990s, the band blends elements of ska, reggae, rock, and punk, creating a sound that’s both catchy and rebellious. With their upbeat rhythms, humorous lyrics, and a reputation for high-octane live shows, The Supervillains have earned a loyal fanbase and are a standout act in the South Florida music scene.

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BADFISH (Ticketed Show) – May 13
2026-05-13 18:00 - 22:00 (America/New_York) | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
BADFISH – a Tribute to Sublime
The phenomenon known as Sublime, arguably the most energetic, original and uniquely eclectic band to emerge from any scene, anywhere, ended with the untimely death
of lead singer, guitarist and songwriter Brad Nowell in May of 1996. But encompassing the sense of place and purpose long associated with Sublime’s music, Badfish, a Tribute to Sublime continues to channel the spirit of Sublime with a fury not felt for some time. What separates Badfish from other tribute bands is that they have replicated Sublime’s essence, developing a scene and dedicated following most commonly reserved for label-
driven, mainstream acts. Badfish make their mark on the audience by playing with the spirit of Sublime. They perform not as Sublime would have, or did, but as Badfish does!
GRATEFUL DUB: a Reggae-infused tribute to the GRATEFUL DEAD – RoC (Roots of Creation) has taken on a unique new project: Grateful Dub: a Reggae-infused tribute to the Jerry Garcia & The Grateful Dead. Combining their longtime love for Reggae-Dub style music and the Grateful Dead, RoC reworked some of the world’s favorite Dead tunes into a new studio album. RoC had the pleasure of working in the studio with the legendary 5-time Grammy winner Errol Brown who was Bob Marley’s sound engineer for this project. Grateful Dub is also being performed live in its entirety at festivals, theatres, and clubs around the country, and features rotating live special guests that has included Melvin Seals (Jerry Garcia Band), Scott Guberman (Phil Lesh), Zach Nugent, RyMo, AG, & Paul W. (Slightly Stoopid), G. Love (G. Love & Special Sauce), Mihali (Twiddle), Dan Kelly (Fortunate Youth) and others. Grateful Dub captures the spirit and magic of the Grateful Dead, while laying it down Reggae-Dub style.
GRIEVES
Born in Chicago, Illinois, Benjamin Laub better know as Grieves was exposed to music at a young age by his father who would take him to Jazz and Blues clubs. After moving to Fort Collins, Colorado, Grieves began to explore the sounds of Punk Rock and Hip Hop. Completely immersed in the art-form, Grieves truly began honing his craft when he moved to seattle at 19. After self-releasing his debut album Irreversible in 2007, Grieves took that momentum out on the road developing an ever growing fan base from the west coast to the east coast.While in Seattle, Grieves would eventually hook up with a talented producer and multi-instrumentalist by the name of Budo. In 2008 the duo would hook up and create 15 tracks of sample-free, melody-driven, analog warmth titled 88 Keys & Counting. A combination of singing and rapping tethered together by guitar, horn, and keyboard driven instrumentals. Although ultimately an intense album, there are a few breaks with sounds like “Identity Cards” (featuring Luckyiam of Living Legends fame) and “Greedy Bitch”, a catchy break up song that will be stuck in your head for days after hearing it. Mainly a digital release, 88 Keys & Counting was welcomed with rave reviews of this new refreshing talent.Now residing in New York City, Grieves and Budo are hard at work finishing his 2010 Rhymesayers debut. So while the world has to wait a little longer for this masterpiece, Rhymesayers is proud to present 88 Keys & Counting,
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Protoje (Ticketed Show) – May 20
2026-05-20 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Protoje is the name that reverberates at the core of Jamaica’s musical renaissance. A visionary and an architect of sound, Protoje has redefined what it means to be a modern artist, blending the rich heritage of reggae with the fresh influence of hip-hop, soul, and jazz. From his roots in Saint Elizabeth, Jamaica, Protoje’s journey is one marked by passion, purpose, and an unwavering commitment to his craft. In 2014, with his iconic track “Who Knows” ft. Chronixx, Protoje became a prominent figure of the “reggae revival” movement. But it didn’t stop there—his journey took him to uncharted territory, collaborating with global superstars like Jorja Smith, Alicia Keys, Pa Salieu, Wiz Khalifa and many more. His track“Switch It Up” ft. Koffee made its way into Barack Obama’s 2021 Summer Playlist, a testament to Protoje’s cross-generational appeal and cultural resonance. But Protoje’s influence extends beyond just his music. He’s the founder of In.Digg.Nation Collective, a platform built to uplift the next wave of Jamaican talent, which nurtured artists like Sevana, Lila Iké, and Jaz Elise. His catalog of albums—each one a reflection of the time—shows his ability to evolve and push the boundaries of what reggae can be. In November 2023, he reimagined his 2020 album In Search of Lost Time with the audacious In Search of Zion, a deep dive into the experimental realms of dub, showcasing his fearless exploration of sound. With two Grammy nominations for Best Reggae Album, for A Matter of Time(2018) and Third Time’s The Charm (2022), Protoje’s name is etched alongside the greats. From Rolling Stone to Vogue, from The Tonight Show Starring Jimmy Fallon to NPR’s Tiny Desk Concert, Protoje’s reach is vast, transcending borders and genres, leaving an indelible mark on the global stage. His performances at Coachella, Glastonbury, andLollapaloozahave solidified him as one of the most dynamic forces in modern music. Protoje is more than an artist; he is a cultural catalyst who’s redefined what it means to be a Jamaican musician in the 21st century. Uncompromising, boundary-pushing, and constantly evolving—Protoje is not just part of the conversation; he is creating it.

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Tell Me Lies (Ticketed) – May 31
2026-05-31 18:00 - 22:00 (America/New_York) | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
TELL ME LIES TRIBUTE
Tell Me Lies showcases the timeless hits of Fleetwood Mac, a band renowned for their exceptional song writing and energetic live performances. The accomplished members of Tell Me Lies have been creating music together in various styles and combinations for many years. It was only natural for them to unite and honor the unmatched legacy of Fleetwood Mac. With an unwavering commitment to authenticity and a deep respect for their craft, Tell Me Lies meticulously recreates the beloved sounds and visuals of one of the world’s most adored best-selling bands.
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KBONG & JOHNNY COSMIC – JUNE 14
2026-06-14 18:30 - 22:00 (America/New_York) | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
KBONG
Kevin Bong, aka ‘KBONG’ is a multi- instrumental artist who is well known for his key role in reggae band Stick Figure.
Touring with the group since 2012, KBong has solidified his place as one of the top keyboard players in today’s current Reggae scene. On August 24 2018 KBong released his second studio album ‘Easy To Love You,’ produced by Johnny Cosmic and featuring Scott Woodruff (Stick Figure), The Movement, Raging Fyah, and the aforementioned Cosmic.
Bong’s easy going approach to music shows itself in the project. As Bong says, “Music is an expression of ourselves; it’s an art form. Whether you’re playing for one person or a thousand, music soothes the soul.”
JOHNNY COSMIC
Johnny Cosmic is a producer, artist, multi-instrumentalist, songwriter, performer and contributor to a Grammy Award winning album based out of Oakland’s Great Stone Studios, former home of Green Day. Cosmic rose to prominence in his role working with Stick Figure on production and performing in the live band, for which he is still a member. He also has a burgeoning solo career, including racking up millions of streams for his singles Kingdom ft. The Movement, and Sun and the Moon ft. Collie Buddz.

Turnover (Ticketed) – June 16 & 17
2026-06-16 18:00 - 2026-06-17 22:00 (America/New_York) | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
TURNOVER
The title track of the band’s new album, Myself in the Way, speaks to this mindset. “I can’t put myself in the way of love again,” sings Getz, “I promise I’m going to go all the way with you,” is specifically about Getz getting engaged to his longtime partner, but applies to the general outlook he had toward life in lockdown. “I was living in Sebastopol, California at the time and felt like I truly lived there for the first time since I wasn’t leaving for tour. I was able to go meditate at the Zen Buddhist dojo down the road, run and bike around the hills in Sonoma county, learn about plants and gardening, take some Spanish and arboriculture classes, and get involved with the volunteer fire department. Just do a bunch of new things to challenge and inspire me in a natural way.” Turnover’s other members also used the time to deepen interests they hadn’t been able to fully explore before covid. Bass player Dan Dempsey was in New York City and responded to lockdown by spending more time practicing his visual art in drawing and painting. He painted the album’s cover during this period and developed a style that has become a central theme for the band in its current iteration. Drummer Casey Getz found work at a Virginia Beach state park as touring continued to be postponed. He was in search of and inspired by having a work-life balance different than he’d experienced since he was younger. Through this, he was able to nurture current relationships more and find new ones, something touring made much more difficult. This led to Casey playing drums with a group of longtime friends in Virginia Beach and further developing his drumming style – adding a new prowess for fluidity and improvisation through lengthy jam sessions with the group. Guitarist Nick Rayfield was focused on sharpening his guitar and piano playing and was able to devote energy to skateboarding and his retail business more than he had been able to for the last few years. This was also the band’s first album with Rayfield making songwriting contributions after touring with them for years as a live member, adding a new creative element to the songs. Over 18 months Turnover weaved these individual experiences into a collective work, recording the LP over two sessions with longtime collaborator Will Yip at Studio 4. Austin is credited, for the first time, as co-producer. “I had specific ideas for sound design on this album. I knew a lot of sounds I wanted to hear and use. We wanted everything to be able to be heard and have its own place. I was inspired by the way Magical Mystery Tour and Dark Side of the Moon sounded. We decided to go a lot wider with it and utilize panning and stereo more than we had in the past, while also wanting it to sound tighter and smaller than some of our earlier records. We were inspired by drum and bass sounds from Chic and Quincy Jones records from the 70s, so we put the drums in the control room to get them to sound smaller. We used an active pickup bass and a jazz bass to get that percussive sound from the bass so the low end wasn’t as rumbling and subby. We let the synths share some of that low end that the drums and bass gave up. Quincy’s approach to arrangements were a huge inspiration in this record as well. The horn and string lines I wanted to sound like classic era disco, mixed with modern synth and vocal sounds. I had been experimenting with my own vocal styles a lot and utilized autotune and vocoder on this album almost as instruments on certain songs as a stylistic choice.” The band has always been DIY, but post pandemic they have taken that to a different level. They appreciate more than ever how lucky they are to get to be together and have fun creating things with their friends. They have found that they are usually best suited for executing their own vision, not only musically, but with all its accompaniments as well. For this album they made all their own videos in collaboration with friends and using Dempsey’s drawings and paintings. Change is authentic and true to Turnover as a band and as individuals. Chart a course through their discography and find a band continually reinventing themselves with a unique artistic ambition. Myself In The Way arrives finding Turnover doing the same within their own persons, pushing the band into new and exciting parallel depths of expression.
NARROW HEAD
Truly great pop songs do not require a cheery outlook in order to work, nor do they pander to expectations of syrupy sweet easy-listening. Rather, the best pop music is a matter of refinement and pure intention, of dialing groove to melody so that the two might puncture the malaise of everyday living in unison, revealing some brief, sober truth about our shared human condition. On their third LP, Moments of Clarity (Run for Cover), Narrow Head have achieved precisely this feat. Traversing the depths of massive, churning riffs, often distorted to the point of violence, bouncing, lock-grooved rhythms, and crystalline, gorgeously constructed hooks, the Houston-based outfit puts on a masterclass in the art of writing songs that match the pain, pleasure, and confusion of modern living. Each track is sentimental without being precious, heavy without unnecessary griminess, pop-forward without letting the listener off the hook easy: these songs ask for some form of hurt or desire to be paid back to them in return, some promise that the listener is putting equal skin into the game.
SHE’S GREEN
Minneapolis band she’s green describe themselves as “moss music”. Inspired as much by J.R.R. Tolkien and Hayao Miyazaki as by Slowdive and the Cocteau Twins, the band — consisting of Liam Armstrong, Zofia Smith, Raines Lucas, Kevin Seebeck and Teddy Nordvold — aim to create their own musical and visual world defined by dreamy fantasy, emotional openness and sonic depth. In 2023 she’s green released their debut EP, Wisteria, which included the viral hit “Mandy,” and in 2025 they released the follow-up EP, Chrysalis. It builds on the shimmering shoegaze and dream-pop of Wisteria, with ever more irresistible melodies and deeper songcraft. “We wanted to expand the scope of what we did with the first EP, and see how far we could push either side of the music — whether it’s harsh and jarring or it’s inviting and warm,” Armstrong says. And as they win over fans everywhere they go with their authentic, loving approach to their sound, it’s clear that this huge year for she’s green is only the beginning.
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Twin Fin (Ticketed) – July 26
2026-07-26 18:00 - 22:00 (America/New_York) | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Twin Fin is a rock band based out of Honolulu, Hawaiʻi. The group initially bonded over their shared love of surfing and music. Twin Fin started by playing in living rooms and backyards around the island of O’ahu and quickly graduated to playing sold out venues of more than 750 people. Their music is described as catchy surf rock with a healthy sprinkle of country and reggae. After their first tour in 2025, Twin Fin signed with Feel Good Media, a Los Angeles-based management agency.

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